Minamitsu Murasa (村紗水蜜) (
shipwrecking) wrote in
carracosta2014-02-12 06:37 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
beez in the trap
[time is ruthless when unchecked, gnawing at sore ankles and palms tough as leather, drawing blood that draws walkers in turn. Murasa stopped keeping track after the day she watched her group get torn apart amidst gunfire and screams. only day and night exist now, monday and tuesday and everything after that gone. all gone, just like the world and society and everything she misses and wishes she could forget about.
finding Madoka shocked her out of her numb stupor (and in a sense, brought her back from the dead). they're not alone anymore- alone, in this world of death even after death, but not on their own. they've had too many close calls but somehow, by some random miracle, they're alive and unharmed.
they can't stay in one place too long. the walkers might move slower than the living, but they still move nonetheless. they made it out of the city and out into the countryside where they're less likely to be ambushed by a mob around any corner. there's a farmhouse visible just about half a mile away. the barn beside it could provide extra cover until they rest and gather more supplies as well.
or it could hold a crowd of walkers inside.
Murasa glances at Madoka. they've been walking for hours in the blistering sun and their water supply is nearly depleted. talking would only dry their throats so they haven't exchanged any words for a while now.]
finding Madoka shocked her out of her numb stupor (and in a sense, brought her back from the dead). they're not alone anymore- alone, in this world of death even after death, but not on their own. they've had too many close calls but somehow, by some random miracle, they're alive and unharmed.
they can't stay in one place too long. the walkers might move slower than the living, but they still move nonetheless. they made it out of the city and out into the countryside where they're less likely to be ambushed by a mob around any corner. there's a farmhouse visible just about half a mile away. the barn beside it could provide extra cover until they rest and gather more supplies as well.
or it could hold a crowd of walkers inside.
Murasa glances at Madoka. they've been walking for hours in the blistering sun and their water supply is nearly depleted. talking would only dry their throats so they haven't exchanged any words for a while now.]
no subject
quickly snatching up the knife!! ]
G-g-got it!
[ NOT DELAYED AT ALL. ]
no subject
oh well. Murasa tears the arm off, throwing it aside.]
I'm gonna kill that bastard! [she scrambles up, heading for the door. the zombie follows, scraping against the wall inside.]
no subject
[ she almost fumbles the knife and cuts her own palm when the arm hits the ground next to her--oh. so that's what happened.
it shouldn't be so surprising, but she can't help but just stare at it in an entranced daze, almost missing Murasa heading for the door entirely. ]
no subject
the raspy groaning stops. Murasa kicks it away, panting.]
no subject
T... that. That was way too close.
no subject
Get back. I think there's one more in there.
no subject
You should hang back. We can't let that--an attack like that happen again.
[ she knew Murasa wouldn't listen to her, though. stumbling forward on unsteady legs to try to take the lead, in slight panic. ]
no subject
[flashlight, flashlight? no flashlight. she pushes the doors open wider, letting sunlight into the barn. oh, it's there near the back. the zombie there is missing the lower half of its body, pitifully trying to drag itself over.]
... Look. It's completely helpless.
no subject
... Do you think the other one did this to it?
no subject
she wonders if her friends became things like this too, if their heads hadn't been torn off or cracked open by the walkers.]
You don't have to look. I'll take care of it. [grabbing a nearby pitchfork.]
no subject
she shakes her head, readies her handgun and trying to will her hands into stopping shaking. maybe Murasa would say that it'd be a waste of a bullet. but on the other hand, she could guarantee a fatal shot. ]
... You already got attacked. I can finish it.
no subject
No shooting. This one isn't worth a bullet.
no subject
[ and she understands why Murasa wouldn't approve. she doesn't exactly approve of doing this, either.
but she shoots anyway, point-blank, to the forehead. ]
no subject
Come on. Let's go look for supplies.
no subject
definitely a waste. ]
... I think that you shouldn't try to lead the way, next time.
no subject
[she doesn't turn, but the way her shoulders tense should be enough of a tell.]
Don't tell me you want to lead the way.
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
I think we both know that's a difficult thing to promise.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)